Tag Archives: fantasy

The Writers’ Workshop Ramblings


The Writers’ Workshop of Science Fiction and Fantasy

In seeking publication for his newest workshop project, Bram Stoker award-winning editor Michael Knost sought a small press, for the care and enthusiasm a good one harbors for the genre and its fellow writers. Seventh Star Press is that kind of publisher, bringing its own love for science fiction and fantasy to the project, and its “got your back” attitude for genre writers and other small and independent presses.

Seventh Star Press is very excited about the opportunity to release this project, but as it is one outside of our originally projected 2012 publishing schedule, a little help from outside is needed to bring this project to fruition.

Perhaps the first question that comes to your mind, if encountering us for the first time, is:  Who is Seventh Star Press?

Formed in the fall of 2008, Seventh Star Press is a respected speculative fiction publisher based in Lexington, KY, boasting works from such authors as Jackie Gamber, Michael West, D.A. Adams, Steven Shrewsbury, David Blalock, R.J. Sullivan, J.L. Mulvihill, and Stephen Zimmer.  The press also features two highly-acclaimed, award-winning artists, Matthew Perry and Bonnie Wasson, whose creative work is featured on the covers and interiors of all SSP releases.

Now that you have a little more of an idea about us, we would like to introduce you to the particulars of this proposed book project.

The Writers’ Workshop of Science Fiction and Fantasy is a collection of essays and interviews with some of most influential names in the industry; each article covering a specific element of the craft of writing science fiction and fantasy.  The collaborators in this wonderful anthology include:

Neil Gaiman — “Where Do You Get Your Ideas?”

Orson Scott Card — “On Rhetoric and Style.”

Lou Anders — “Nebulous Matters, or Speculations on Subgenre.”

Lucy Snyder — “Ursula K. LeGuin Talks About A Lifetime in the Craft.”

James Gunn — “Beginnings.”

George Zebrowski — “Middles.”

Jay Lake — “Endings.”

Nayad Monroe — “Tim Powers Talks About Writing Supernatural Awe and More.”

Pam Sargent — “Talking Too Much, or Not Enough: Dialogue in Science Fiction and Fantasy.”

Geoff Fuller –– “How Alien the Alien: A Primer on Viewpoint.”

Nancy Kress — “The Green-Skinned Zorn Laughed With Grief: Character and Emotion in Science Fiction and Fantasy.”

Harry Turtledove — “Alternate History: the How-To of What Might Have Been.”

Kelly Green — “Larry Niven Talks About the Collaborative Process.”

Joe Haldeman — “Hemingway Talks About Writing.”

Nisi Shawl — “Unbending Gender.”

Alan Dean Foster — “Reverse Engineering: Writing Novelizations.”

Alethea Kontis — “Kevin J. Anderson Talks About Spin-off Novels and Prequels.”

Elizabeth Bear –– “Tactics of Worldbuilding.”

Jackie Gamber–“Ann and Jeff Vandermeer Talk About Weird Fiction”

Michael Knost — Short fiction editors Ellen Datlow, Stanley Schmidt, Gordon Van Gelder, James Patrick Kelly, Mike Resnick, and John Joseph Adams discuss what they are looking for when reading submissions.

Levels of Participation

There are seven levels of participation, six of which involve receiving a version of the book, ranging from the eBook to a limited hardcover edition.  We invite you to look over the various levels and rewards in this campaign, the core of which serve effectively as a pre-order offer for The Writers’ Workshop of Science Fiction and Fantasy.

What does the money raised in this campaign go towards?

The money raised in this campaign goes towards paying pro-rates for collaborators, as well as cover art fees and other hard costs involved in producing this title.  It will be issued in a limited hardcover edition, softcover, and various eBook formats.

How You Can Help Further

We encourage tweeting, posting, sharing, and we happily do interviews too!

You can join with us in bringing writers a wealth of insight and writing advice in a book that is rich in premium content.  Take a look at the seven options we have for this campaign and come aboard today!

Sunday Afternoon Ramblings


My good friend, Stephen Zimmer, tells me all the time I’m too sensitive and need to grow a thicker skin, but negative reviews always bother me.  My rational, analytical side understands that as a writer I can’t expect to please everyone.  Some of the greatest books ever written have received terrible reviews through the years.  People’s tastes range across an infinite spectrum of likes and dislikes.  Rationally, I recognize that worry over a negative review is wasted time and energy.

However, it bothers me on an emotional level.  Each book I’ve written is nearly as special to me as my sons.  I work extremely hard to develop my skills and craft my stories.  Eight years removed from writing book one, I do recognize some of the flaws, especially in the first three to four pages.  However, I still believe it’s a good, solid book that sets the table for the larger series.  There’s foreshadowing in book one (Hell, in chapter one) that I’m still drawing on in book four.  Yes, if I were writing book one today, it would probably be a better book because I’ve improved as an author, but honestly, I wouldn’t make many substantive changes because it’s a good book.

I’m not going to waste my time refuting negative reviews or defending book one point by point.  Enough readers have enjoyed it that I don’t feel like the book needs defending.  I also recognize that most of the recent negative reviews, like the most recent from Allison’s Book Bag, have not been personal, and I don’t take them as an attack on me.  Two of them did feel personal, but I won’t give either of those individuals the attention they crave by responding to their personal embitterment from whatever shortcomings plague their lives.  All I’ll say is after eight years, three published books, and a new one on the way, I’m still here and still expanding my audience.

While negative reviews do sting and do bother me, I won’t allow them dissuade me from following my path and my style.  I will try to learn from them and improve myself as a writer because I do that even with the positive ones.  I’ll also recognize that negative reviews are a sign of reaching more and more people.  The wider the net, the more likely the series will land in the hands of people who don’t enjoy my style.  That’s just part of it.  I’m going to keep polishing book four, keep learning as a novelist, and keep reaching out to more and more readers.  And when the next negative review comes along, I’ll swallow the bitter pill, grit my teeth, and remain professional about it.

As we used to say in sales after getting a solid no, “Next!”

Tuesday Morning Ramblings


This is my opinion and nothing more.  I don’t typically write advice to other writers or aspiring writers because it feels too pretentious on my part.  Also, the world is already full of authorities who spend the majority of their time and energy telling others how to write, but this particular topic is rather important to me, so here goes:

Writing at its essence is a solitary endeavor, one of the most intimately solitary activities a person can do.  If you need applause and cheers to motivate you to create, you should be a musician or a stage actor, not a writer.  Live performers have live audiences.  Writers spend the vast majority of their creative time alone staring at a computer screen or notepad, allowing ideas to flow through them onto their medium, with virtually no feedback from anyone until after the project is complete.  This solitude can lasts weeks, sometimes even months or years, before an author gets feedback on their project, and usually that first round of feedback is from an editor or first reader who points out most of your mistakes.  It can take literally years before your work reaches its intended audience, if it ever does.

If you need instant gratification, prose writing is not the creative endeavor for you.

That’s not meant to be harsh or put anyone off from attempting to write.  However, it’s a basic reality all serious writers must accept.  You will create alone in a vacuum with no promise of your work ever being read by the people you want to reach.  If that seems too daunting, do something else with your time and save yourself a lifetime of frustration.  Writing is not a glamorous profession.  It’s not hip or cool or sexy.  It’s damned hard work that requires a level of commitment and personal sacrifice that can crack the souls of even the most ambitious and talented who attempt it.

I’m a writer.  At the core of my soul, that’s who I am.  For twenty-two years, I’ve dedicated my life to learning my craft, honing my skills, practicing, failing, getting up, failing again, trying harder, failing again, absorbing criticism, learning, growing, failing even more, and scratching out a meager existence.  A smarter person would’ve given up years ago, but my Scots-Irish obstinate nature won’t allow me to quit.  I’m proud of each and every small victory of my career, but those are not what motivate me to write.  I do it because I must, because the story and the characters demand to be shared.

As I wrote book four this summer, I posted updates each night on Facebook and Twitter to let my friends and readers know how the book was coming.  I did this not because I needed their “likes” and words of encouragement but because, after the years of delays that plagued books two and three, I wanted to assure them that I was working as hard as I could to make certain book four was completed on time.  While their feedback was appreciated, it wasn’t needed for motivation.  The only sustainable motivation is that which comes from within.  External motivators are temporary bandages that can never bolster long-term success.

All that said, if you want to write and need writers’ groups or NaNoWriMo or any other social network to prop up your self-esteem to get you through the draft, then, by all means, use whatever helps you.  If you need to dream of instant riches and overnight arrival to keep you focused, then dream of those things.  You may be that one-in-a-million who gets lucky and has sudden success, but in my experience and after a lifetime of studying the careers of other writers, I know the odds say you will be disappointed.  As for me, I’ll write because I have to.  I’ll follow my personal process for self-discipline.  I’ll edit and spit and polish until I’m tired of looking at the words.  And then, I’ll do it one more time just for good measure.  After I’m happy with the manuscript, I’ll send my baby out into the world to be enjoyed, criticized, praised, ripped apart, lauded, and laughed at.  I will do all of this with no expectations of monetary reward or literary awards or delusions of immortality.  I’ll do it simply because it’s who I am.  I’ll do it because I’m a writer.