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Remembering Kurt Cobain

Remembering Kurt Cobain

I was on a blind date when I first heard the news.  We were in a Cajun restaurant in Memphis, eating peel and eat shrimp and trying to break the ice.  Over Debbie’s shoulder on the Television that was tuned to MTV, I saw the words: “Kurt Cobain Found Dead”.  I was astonished and told my date what I had just seen.  At first, she thought that I was pulling some weird joke, a lame attempt to shock her, but unfortunately for everyone who loved his music, Kurt Cobain was gone.

I recently found a copy of Nirvana’s Unplugged album.  I hadn’t listened to them in several years and had, quite honestly, forgotten just how much they had influenced me as a high school and college student.  Now, I do not purport to speak for my generation.  First of all, I’m not famous and don’t have a faithful following of people who agree with every word I utter; it would be pompous and pretentious of me to believe that I speak for anyone but myself.  Second, my generation and this country are so fragmented and divided, there is absolutely no way that one person could adequately represent all of our views and beliefs.  However, I do believe that on April 5, 1994, my generation lost one of its most powerful voices.

Kurt Cobain spoke to me like very few artists have.  In short, only the novelist Harry Crews and musician Chris Whitley have made me feel quite so connected to something worthwhile.  When I listened to Cobain’s lyrics – the ones I could understand and decipher – I knew that someone else in the world felt the same as I did.  He despaired for humanity’s condition, mocked stupidity, loathed cruelty, and longed for a better world.  His vision was at the same time immensely depressed and wondrously beautiful.  His voice was weak, limited in range, and chaotic but also voluminous, melodic, and controlled.  He was an enigmatic paradox who dared us to make sense of him.

I cannot believe that sixteen years have passed since he died.  Since then, I have matured quite a bit, I think, and no longer view the world in the right-or-wrong, good-or-bad, simplistic views of adolescence.  The world is much too complex, too full of compromise and shades of gray for anything to be as simple as right or wrong, and in these years, I’ve learned that Kurt Cobain understood too much about life too early.  Perhaps, his knowledge of the world and his hard-earned wisdom are what led to his early death.  Perhaps, drugs just suck.  I don’t know.  But I wish Kurt Cobain was still alive and making music.

A friend used to argue that Cobain was not passionate, that he was so distraught and depressed and horrified by the world all he could do was mumble.  I didn’t agree with her then and, after listening again to the Unplugged album, still don’t now.  While many of his lyrics were mumbled, his music contained both passion and some sense of hope, and the mumbling was a convention used to make us listen more closely, make us tune in to the music more than just casually.  He had the level of genius to do something like that.

Nirvana reached an immense audience, touched more people from more backgrounds than any other band I can remember.  I’ve known high school dropouts, graduate students, jocks, nerds, revolutionaries, fraternity boys, lesbians, gay men, good old boys, urbanites, and suburbanites who all loved them.  Their music may have come from a Punk, underground scene and may have been born from antisocial sentiments, but it certainly became much more.  For those of us who watched it live, the performance on Unplugged was a profound event.  We didn’t have many cultural/social/spiritual events in the 80’s and 90’s, and there are even fewer today.  On December 14, 1993, I was moved deeply by the performance, and even now, seventeen years later, I still get goosebumps when I hear tracks from that set.

I’ve always believed that a sign of greatness is when people have to have an extreme feeling about somebody, either good or bad, and Cobain fit this criterion nicely.   Those who loved him and his music revered him.  A writer friend of mine believed he was our generation’s prophet.  The people who dislike his music despise it passionately.  One heavy-metal musician said that he believed Nirvana should have won a new award for “Least Talented Band To Sell The Most Albums.” Other friends of mine hold similar views about Cobain and Nirvana, but one fact remains true: they all feel an extreme emotion about the music.  Mediocrity usually doesn’t breed this level of passion.

It’s tragic that Kurt Cobain left us so early.  Even if his music hadn’t continued to evolve, it would have been nice to see if his angst could have grown into spiritual serenity.  If he had retired young, it would have been nice to have seen the comeback tour.  Instead, we are left with conspiracy freaks with websites about “The Murder of Kurt Cobain,” a plethora of copycat artists with music that doesn’t quite measure up, but also a legacy of music that will hopefully remind my generation of how we used to view the world when we were young enough to see things as right or wrong.

My closest friend in college used to say that she believed Kurt Cobain’s death would be remembered as one of the saddest events of our generation.  Since then, Oklahoma City, Columbine, and 9/11 have certainly annihilated that theory, but the spirit of her thought still has merit.  Even in death, Cobain is an icon of our time, a symbol of wasted talent and the bullshit of drugs.  But in his life and in his music, he moved me and many others.  He was a powerful voice in a crowded din, and he was one of my biggest artistic influences.

Andy Deane Ramblings

For my readers who aren’t familiar with him, Andy Deane is the lead singer of Bella Morte and author of The Sticks.

Here is our interview:

D. A. Adams:  How old were you when you first got involved with music?  Can you remember what the original allure was?

Andy Deane:  Well, if you want to go all the way back to me doing a shitty job of applying make-up to try and look like my favorite guy in KISS, Gene Simmons, I’ll say five or six.  My mom sang all the time when I was a kid as did the rest of the family on her side. So, I was just surrounded by it from the time I understood what music was.  Singing was natural to me, something I assumed everyone did.

DA:  Can you describe your creative process for music?

Andy:  A melody will jump into my head for no reason at all at the oddest times.  Like, an idea for a ballad will strike me while I’m walking down the frozen food aisle at the grocery store. I don’t know why the hell it happens, but I guess I’m glad it does.  Once I get back to my studio I often start by laying down some simple chords set to a loop and build on that foundation until I finish the song.  I write most of my vocal melodies by singing nonsense in a stream of conscience fashion, then apply words to what I come up with.

DA:  How was developing a solo project different from playing with your band?

Andy:  Things happen a lot faster when I’m flying solo as The Rain Within.  I write the song and add the vocals, record it as I go.  As a band, we collaborate, so sometimes I’ll wait for Tony to write his guitar line before I solidify what I’m doing vocally.  And the recording process requires a lot of coordinating schedules and such.  There are advantages to both methods.  I love being surprised by a new riff or drum beat one of the guys in Bella Morte will deliver, sometimes forcing me out of my comfort zone.  I’ve probably added an octave to my range over the years because of it.

DA:  You’ve stated that you started writing novels just to pass the time while touring with the band, but what made you choose writing as opposed to say photography or painting?

Andy:  I never started painting because I suck at it.  Really, I got to third grade and my talent as a visual artist slammed on the brakes and hasn’t budged.  Even my stick figures look like refried dogshit.  As for photography, I just never took an interest in it.  Writing was, like music, something I’ve loved since I was young.  I’ve been writing short stories for as long as I can remember, and my dad was called in to speak with the school guidance counselor in 1st, 9th and 12th grade due to their content.  I tell you, teachers do not like hearing about humans being carved up, that’s for damn sure.  My first novel, The Sticks, started as a short story and just kept growing as I’d kill time in the van traveling from city to city.

DA:  Since music is typically a collaborative effort and writing is primarily a solitary endeavor (just the writing, not the editing and publishing), can you explain the difference in your creative process for writing your novels?

Andy:  You know, writing a novel was the first artistic endeavor I ever undertook completely on my own, and I think the process is what got me wanting to record a solo album.  But yeah, the two are very different.  With writing, aside from my editor there’s no one I have to cooperate with on a tough decision.  What comes out of my head goes onto paper and that’s the end of the discussion.  Bella Morte doesn’t release a song until all the members are happy with it, so sometimes you’ll lose a battle about where a song should go or what chords should make up the chorus.

DA:  What’s it like to juggle success in such vastly different media?

Andy:  I would consider it much more of a struggle if I were only doing one or the other.  My bands give me an outlet for my books and a group of fans who want to read it based on their interest in my music.  It works the other way too.  I don’t know that The Sticks would have sold so well was it not for word spreading so quickly through the Bella Morte fanbase.  The fans read and liked it, and told their friends about it.

DA:  Whether we’re discussing music, writing, or life in general, who are your biggest influences?

Andy:  My dad has had the biggest influence on me.  He’s a great guy, and the hardest worker I’ve ever known.  He gave me a lot of freedom as a kid, let me choose my own path.  Makes you wonder what the hell he was thinking. (grins)

DA:  I can honestly say that you are one of the most friendly, most down to earth people I’ve met, yet at the same time, also one of the most vivacious and charismatic.  How do you manage that balance?

Andy:  It’s a unique concoction of exfoliating creams and crack cocaine.  Ha!  But really, I’m just myself.  I’ve never tried to be anyone I’m not, and I don’t seem to have the ability to tone down my behavior for anything.  I guess I just feel lucky.  I’m not rich, but I’m getting paid to make music and write stories.  That’s pretty damn awesome if you ask me, and I’m thankful as hell to the folks out there who’ve made it possible.

DA:  What’s your most memorable moment from your career so far?  How did that experience affect you?

Andy:  Well, one time when the band was on tour in Salt Lake City we stopped in to Wendy’s for a bite to eat.  One of the guys went to the bathroom, came out red-faced and laughing, told me I needed to go take a look.  Long story short, what I saw in that bathroom will forever be branded on my memory. A severely obese man stood before, covered, literally, from head to toe in his own feces, wearing nothing but a pair of sneakers.  This scene will absolutely appear in one of my upcoming novels.  Absolutely.  Ahem.  Aside from that, stepping onto stage for the first time in Europe was a big deal, a true feeling of accomplishment.  Holding a Bella Morte CD in my hand for the first time.  Receiving my first printed copy of The Sticks.  And then there are the bad times that are so meaningful in retrospect, like when our van broke down in the middle of the desert and we had to scramble to find a way out of a seemingly hopeless situation to get to the next show.  It was scary, but we kept one another’s spirits up, and I don’t think we’ll ever stop laughing about it now that it’s behind us.  It’s times like that that show you who your real friends are.

DA:  What would you like your fans to know about you as a person?

Andy:  That I’m a normal dude.  That I’m approachable.

DA:  Any parting thoughts?

Andy:  Well, since we’re both Steelers fans, let’s hope for a 7th title this season!  Also, I’ve got several releases coming out this year:  Thunderstorm Books is releasing my novella The Third House this spring and my novel All the Darkness in the World in the fall.  I’ve got a solo album under the name “The Rain Within” hitting stores this summer and a new Bella Morte album coming this fall.  Everyone reading this needs all of these things. Desperately.

DA:  How can your fans find you?

Andy:  My website is AndyDeane.net, my twitter account can be found at twitter.com/Andy_Deane.  Or they can do a search for me on Facebook.  Also, I am often spotted at Taco Bell franchises around the country between noon and one, and five and six.

www.thirdaxe.com

Cinco de Mayo Ramblings

Lee Dewyze has become my favorite on American Idol.  The thing I love about him is that he brings it every single week, regardless of genre or theme.  He just goes out and sings the song and makes it his own.  While the tone of his voice is not my favorite, his willingness to give every performance his all has made me a fan.  Since the most talented rarely wins the competition, I doubt he’ll be the last one standing, but he should have a long and lucrative career.

I still like Crystal Bowersox.  She is without a doubt the most talented musician this year.  Each week, with the exception of Shania Twain week, she has taken the theme and done something special with it.  I thought she was brilliant last night, very subtle, very sweet, a touching rendition of that song.  The judges were too harsh in their criticisms.  Bowersox is a completely different kind of performer than Frank Sinatra was, and to expect her to come out and try to “be” Frank Sinatra is just ludicrous.  She did what any great musician does; she made it her own.

The others I thought were all mediocre.  Well, Aaron was okay.  Big Mike just doesn’t do it for me.  There’s a nasally tone to his voice that grates on my ear, and he’s a little too Broadway for my taste.  Casey just is a one trick show pony. Hopefully, he will go home tonight, but the way America usually votes, he’ll probably win it all.

On a different note, I’m almost done grading, so vacation is almost here.  I’m completely exhausted and ready to rest a little.  I’m also ready to get back to doing what I do best–writing books.

www.thirdaxe.com