Tag Archives: book

Saturday Night Ramblings

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I feel a cultural movement brewing.  For a few decades now, all of our music, books, and movies have been controlled by corporations more concerned with marketing and bottom-line profits than quality.  Much of my generation was locked out, not because we didn’t have the talent but because we didn’t fit into tidy marketing pigeonholes, and we languished for years, wondering if we’d ever get our shot.  Meanwhile, a new generation moved onto the scene, and many of us felt as if our moment had passed.  All our study, all our hours of practice, all of our passion, all of our dreams seemed wasted.  Some grew bitter and drifted away.  Some became consumed by demons and succumbed to addictions.  Some trudged onward.  Some of us did all of the above.

But something amazing happened with the burgeoning of the internet and computers.  Suddenly, we no longer needed New York and LA to pursue our dreams.  Suddenly, the corporations could no longer lock us out because as long as we had internet access we had a potential audience of millions, so many of us started our own labels, presses, and production companies.  Sure, at first we struggled.  As we wobbled on unsure legs, our early efforts might have seemed like bad parodies, but we learned from our mistakes and pressed onward.  We polished our chops, grew our networks, and expanded our base.  We survived our early stumbles and the Great Recession.  We banded together.  On our own, we created new channels to reach more people and studied online marketing trends.  We learned and grew and shared information and encouraged each other.  Most of all, we survived.

Today, the movement of independents gathers momentum every day.  We’ve gained market share and established our reputations as serious artists in our given fields.  Through efforts of arduous determination, we’ve moved the mountain enough to be noticed by major media outlets as a legitimate force.  The amazing thing about this movement is that most of us are over the age of 35, and we’ve done this while juggling jobs and families and lives.  We’ve endured sacrifices corporate executives can never fathom, just to pursue our passion, just to chase our dream, and while we may not be there yet, we’re making great strides to that destination.

The cultural movement of the independents is upon us, and we’re here for the long-haul.

Friday Afternoon Ramblings

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Sometimes it’s easy to let the naysayers bring you down, and believe me, there are plenty of naysayers in this world.  For my part, I’ve always struggled with a sense of legitimacy and often find myself allowing negativity to create self-doubt, even when that negativity is dis-proportionally small.  For example, currently on Amazon I have 80 total reviews for all four books combined.  Two of them are 1 star; one is 2 stars; six are 3; and the rest are either 4 or 5.  On Goodreads, I currently have 76 ratings with a total average of 4.2 stars, with four 1 and 2 star ratings but twenty-eight 4 and 5 star reviews on book one.  Rationally, I look at this and understand I should be proud to have so many positive reviews, but that part of me which feels phony fixates on the bottom end.  The self-doubt creeps into my consciousness and ignores all the positive.  I know I’m not alone in feeling like this.  Neil Gaiman, Bruce Sprinsteen, and Hugh Laurie have all spoken of it.

I think part of why this sense of illegitimacy affects so many creative people is the fact that artistic expressions are so subjective in nature.  Mathematicians know for certain whether or not their formulas work.  Scientists can prove or disprove a hypothesis, and their results can be tested and repeated by others.  Business people can always look at the ledger sheet for validation of their ideas.  But for artists, it’s so much more difficult to measure quality or define success.  Works that are often commercially successful aren’t always the most well-crafted pieces.  For instance, Fifty Shades of Grey made buckets of money, but few people consider it a well-written book.  A Confederacy of Dunces is one of the best books ever written but was considered unpublishable during John Kennedy Toole’s lifetime, which in part contributed to his suicide.  To get an idea of how maddening it can be for a creative person, just go look at the reviews of any famous work.  Even revered classics will have scores of negative ones often filled with disparaging remarks that sometimes get downright personal.

Any creative person is trying to create something new where nothing existed before.  There is no secret formula for how this happens, and often we are pulling bits of this and dashes of that from various disciplines and molding them together.  Every generation or so, a paradigm will emerge that espouses the one and only way to create the proper way, and anything that doesn’t fit tidily into the dogma of this paradigm will often be dismissed initially as drivel.  However, truly creative people typically reject dogmatic approaches because of the inherent restrictions, and this can generate backlash from the establishment.  For someone such as myself, this backlash contributes to the feelings of self-doubt.  Even though I know in my heart that my writing is solid, my characters are compelling, and my plots are intense, when I read a review that calls my writing “poorly written” because I “don’t follow the rules of a basic writing manual,” part of me rejects that outright but another part, the insecure, vulnerable part, questions my ability.  These two parts of me, the bold and the insecure, are often at odds with one another.

The bold part of me, the part that had the courage to self-publish long before it was easy or hip, usually wins out.  It does this by reminding me that I’ve survived much worse than anything a narrow-minded, so-called critic can throw at me.  As a child, I developed a blood disease from a tick bite.  At one point, I weighed about forty pounds and to this day have no memories for about a three month stretch of that spring and summer, but I survived.  At sixteen, I was struck in the head by an eight pound shotput and not only lived to tell about it but walked off the field, albeit with a little assistance.  If an eight pound cannonball didn’t end my life, the opinion of some piss ant sure as hell won’t.  On Christmas day, my now ex-wife told me she wanted a divorce as I played with my sons.  If losing custody of my boys didn’t crack my soul, there’s absolutely nothing some smug know-it-all can sling my way that could ever touch me.  I’ve endured my share of real hardships and am still standing, still creating works that the vast majority of readers love, still growing my reader base.

I’m working on getting beyond my own insecurities and having more belief in myself, and for the most part, my confidence remains relatively strong the majority of the time.  However, sometimes the weak part rears its head and makes me question whether or not I’m on course.  Knowing I’m not alone in having these kinds of self-doubts helps.  If people far more successful than I am deal with the same emotions, then I can accept their presence and forge ahead with conviction.  While the external naysayers will always be present in some form or another, their opinions do not have to influence my internal fortitude.  My voice is real.  My voice is valuable.  Not that I need this for validation, but I have forty-five 5 star reviews on Amazon to prove the worth of my creativity.  And I have that calm center deep in my heart which whispers softly that what I’m creating matters, that my stories are good, that success is insignificant in comparison to authenticity.

That’s all for now.

Tuesday Afternoon Ramblings

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When I was at Connooga at the beginning of the month, I gave a brief seminar outlining the writing process.  It was an adaptation of the material I teach at the college, tailored for creative writing.  Overall, the presentation was well-received, and several people complimented me on the content.  Running the seminar reminded me what I used to love about education, sharing knowledge with people who want to learn, and it got me to thinking about possibly setting up my own writing retreats.  There are pros and cons, of course, and I’ve not fully committed to it yet.  So today, I’m asking for some input from my friends, fellow writers and readers.  What do you think of the idea of me hosting a writers’ retreat and teaching seminars about various writing related topics?

Here’s my biggest hold up.  While I’ve worked as a writing instructor for nearly 15 years, I’ve mostly viewed myself as a writer first, teacher second, and I purposefully eschew creative writing manuals, workshops, and writers’ groups because in my experience they end up being ego-fests.  I have no interest in battling egos with anyone.  Also, I’ve long believed that with a few rare exceptions, the people who write the majority of creative writing manuals do so because their own writing isn’t good enough to earn them a living, so they sell writing manuals to aspiring writers.  Part of me feels like if I pursue this path I’m in part being a hypocrite but also in some way giving up on my own writing.  Not that I would quit creating but more like waving a white flag that I’ll never be successful as a writer.

The biggest pro is that I know I have a great depth of knowledge to share on this subject, and I truly enjoy teaching.  I like to think I could inspire others to create fantastic works, and it could potentially help me move away from the system, which at this point is damaged beyond repair.  If there’s a market for this, I want to pursue it so that I can continue to teach without being shackled to the system.  Also, I think I could do a pretty good job of developing one hell of a weekend retreat, one that could be truly beneficial to aspiring writers and maybe even some seasoned pros.

So please, give me your insights.  Do you think this is a marketable idea?  Would you be interested in attending something like this, if the price was fair?  What kinds of topics do you think have the most demand?  Let me know what you think.